The North American Accordion Collaborative
501c3 Nonprofit Charity
Educational Outreach
Create opportunities for instruments, information, and coaching to populations interested in learning accordion skills.
International Accordion Initiative
By facilitating performances, demonstrations, workshops and master classes given by artists and teachers from abroad, the IAI will develop opportunities for accordionists in North America.
Accordion Access Program
NAAC will provide students, educators and programs access to accordions. To obtain the accordions needed, NAAC will work with collaborators to implement Instrument Drives.
NAAC Recording Program
In an effort to promote accordion music and create opportunities for members, the NAAC will provide an online platform to compile member videos and recordings.
Sign up today for a free annual membership.
BENEFITS OF NAAC MEMBERSHIP1. You'll be able to participate in our member's only programs.Initial programs like our Recording Opportunities program are free but require NAAC membership. Join today to get access to our future programs.2. You’ll have a voice in the opportunities that we build.You’ll be among the first to participate in our polls, questionnaires, requests for project ideas, and to be able to tell us what you need, and get involved in working to build those opportunities.3. Who can benefit from becoming a member of NAAC?- Anyone who loves the accordion
- Gigging or professional accordionists
- Hobbyists and beginners
- Accordion teachers and educators
- Accordion dealers, technicians, manufacturers, et al.
- Composers and arrangers of accordion musicOf course your donation is always welcomed
At the moment, NAAC is funded entirely by donations. Giving like yours will help us pay small bills like web hosting, email broadcasts to keep you in the loop about NAAC events, and larger projects we have in the works.100% of all donations go directly to the NAAC's collaborative efforts.Without you, we don't exist.Thank you,Dallas Vietty and the board of NAAC
WE ARE GRATEFUL TO THESE FINANCIAL CONTRIBUTORS:Richard SelfridgeCara ZemanekZelde MalevitzFrank Petrilli
Meet Up Recap from 3-29-17Published: April 2, 2017Register now for the next meetup on May 7, 2017 7p Eastern/4p Pacific.Last week on Wednesday March 29 at 8:30 EST we hosted the first NAAC online meet up. We had 39 members in attendance and the meeting was scheduled for an hour and a half. Our primary objective was to hear member ideas regarding our performance opportunities and education projects.Meeting Synopsis1. After a brief meet and greet I led the discussion regarding performance opportunities.Online and virtual performance opportunities were brought up by a few different members and ideas included:online streaming concert series
virtual accordion orchestras
online mini concerts
virtual music festivalsOther topics covered were:creating lending libraries of instruments
libraries of orchestrations to help facilitate smaller accordion ensembles2. Next on the agenda was the NAAC education program. This dialogue was facilitated by President Dallas Vietty.Perspectives presented by our members included:the need for quality teachers
teacher training programs
quality teaching curriculum
getting accordions into university music programs
looking outside of our current musical circles to find more casual accordion players
creating an online education video series as well creating a qualified list of accordion educators3. Our final point of order was to ask our members what they want for our organization and for the North American accordion community as a whole.Our members voiced a desire for an increased availability of instruments:grant proposals
for all of our events to have an educational perspective
to make greater efforts to diversify our community by including Mexican and Canadian accordionists in our programs and activities
This meeting was such an energizing and exciting experience and I would greatly encourage members who want a chance to share their ideas and perspectives to attend our next online meetup.Register now for the next meetup on May 7, 2017 7p Eastern/4p Pacific.Sincerely,-Gabe Hall-Rodrigues NAAC Secretary
NAAC YouTube Channel is UP!Published: March 1, 2017Just last weekend I uploaded the first round of member videos to the NAAC YouTube channel. All of the videos the NAAC received have been awesome but what really excited me was the diversity of the submissions.We have solo performances, group performances, jazz, bajo sexto, classical, original music and so much more still to come. Being a part of an organization that features so many different styles of music on my favorite instrument is such a honor.If you haven't checked out the channel yet please do, and please like, comment, and subscribe!-Gabe Hall-Rodrigues, NAAC Secretary
Watch and listen to NPR Bethlehem Interview with NAAC President Dallas Vietty 2/21/17Published: February 28, 2017Update: this video has been removed by the video owner (NAAC did not own nor post the video).Thanks to the power of social media (by that I mean someone saw my Twitter posts), I was invited by Dina Hall to come speak about the NAAC on her radio show.The radio show is called 'Live from Godfrey Daniels' and is on the Bethlehem, PA public radio station WDIY.I invited my friend and musical colleague Mike Lorenz to come play and speak with me.We had a blast. I'm grateful to Dina, Mike and WDIY for the opportunity.- Dallas Vietty, NAAC President
We are the newest accordion organization in North America!Published: January 24, 2017Welcome to the website of the North American Accordion Collaborative.We are an accordion organization born in the age of the internet. We are legally headquartered in Philadelphia, but we see ourselves as truly North American organization.We are launching with four programs (recording opportunities, education, instrument drives and international initiative). Check the programs page for more details.Our goal is to work together with YOU to learn what opportunities accordionists need, and to work together to build them.We hope that you'll consider becoming a member, its free!We look forward to getting to know you,Board members: Dallas, Karen, Charlie, Frank & Gabe
Interview with Kayla Allen Lescure of the International Accordion Initiative!Published: January 23, 2017The International Accordion Initiative (IAI) is on of our most exciting programs. As we begin our process, I thought the membership of NAAC would get energized and excited about this program by learning a little bit more about the plans and concepts behind.Kayla Allen Lescure is the founder and chair of the program. Below is a short digital interview I conducted with her to help you all get to know more about what is in store in the future!1. What are the unfulfilled need(s) that exist for accordionists (yourself included) that the IAI program will meet?[Kayla] We need more opportunities to participate in workshops from various artists and teachers, as well as the possibility to witness great performances that can be a rich source of inspiration. The IAI exists to heighten the awareness of accordion - both within and outside of the accordion communities now across the U.S., and to cultivate an exchange with the incredible musicians in France, Italy, Spain and Portugal, as well as other countries (Brazil, Ukraine, Russia). We want to import the talent and technique emerging from these countries. Our goal is to reach out to musicians and non musicians - people who aren't aware of the vast possibilities of this instrument. Most music lovers are crazy about the accordion. We'd like to place artists in music festivals that aren't affiliated with the accordion - as one way of creating awareness. Eventually, the idea is to create a stronger infrastructure on our home turf, getting the accordion into more schools and in the hands of children, so that the awareness can expand into the future with our younger generations.2. What will your initial programs with the IAI look like?[Kayla] The focus is to create a welcoming environment for guest teachers and artists from abroad. From that awareness we will eventually build a strong, communicative network amongst us all in order to develop and implement regular workshops and performances. Youth outreach is so important, but we need to create a stronger infrastructure in cities that have small or no accordion communities, and build on existing infrastructures for the places that do, in order to harness the support needed for these kinds of programs. Obviously any kind of program will need funding - so the idea is to seek out resources through cultural exchange organizations, consulates for whichever country an artist might be from, corporate sponsorships, etc.3. What are the cities/regions you are targeting right now for the program to begin?[Kayla] I'm reaching out to existing accordion organizations and regional associations across the U.S. I live in Los Angeles so I'll certainly start here. And the great news is, of the international accordionists I've spoken to, they all WANT to come to the U.S. and are completely open to traveling here. I grew up in Louisiana and there is already an accordion culture there, specifically in south Louisiana - even though Cajun and Zydeco are stylistically so different, it's a culture that's open to all music and it makes sense to bring international artists there. Nashville is a great target, because of its strong community of professional musicians. Those are a few ideas, but as I said, we're happy to work with any organization or association in the U.S. that has the desire to bring in a guest artist/teacher.4. Is there anything you are allowed to tell us about the contacts and prospects you’ve made so far?[Kayla] Christophe Lampidecchia who recently won the Gus Viseur award for his recent album "Douce Joie" is working with the director/producer for UN music, Robin diMaggio. We are in the process of finding funding to get him to Los Angeles to record and perform. Other contacts are under wraps for the moment, until we are able to confirm certain arrangements, but very exciting.5. What inspired you to start the IAI?[Kayla] Seeing the amount of talent in Europe and everything the artists, both established and up-and-coming, have to offer. I recently participated in a workshop at the Centre National et International de Music et d'Accordeon in France. Jacques Mornet is a giant amongst pedagogues in Europe with a focus on musicality above all. He has taught in Russia and China for years and students in those countries vie for grants every year to come and study with him in Auvergne. The teachers on his staff are outstanding. They're passionate and demanding, with a very high standard and a strong methodology. We can borrow from them in the best way. The students he's trained are regularly competing in international competitions and are highly gifted. They have so much to offer. I'm also inspired by seeing beautiful performances from artists like Richard Galliano and Christophe Lampidecchia, who won the Prix Gus Viseur last year for his latest album.6. Is there anything else that you would like the North American accordion community to know about what is going on with IAI?[Kayla] For the moment it's all about support and communication. The IAI is also open to any suggestions - we are here to act as a liaison between the U.S. and the international accordion community and to facilitate the interaction between the two.
Our events are currently finished for this season. Please join as a free member for updates on future events.
OUR MISSIONThe North American Accordion Collaborative is a non-profit organization that helps accordionists of varied interests by identifying their specific needs and by building opportunities to meet those needs.
1. LISTENTo Determine NeedsBefore we spend our time and energy building some program, initiative, festival, outreach education, we need to be sure that it is what accordionists want. learn learn what our membershipaccordionists actually want by asking and listening. via surveys, polls, questionnaires.
2. LOOKTo Find CollaboratorsPut together powerful teams by partnering with passionate accordionists, organizations, agencies and facilities.
3. MAKETo Build OpportunitiesKeep members up to date so they can shape and participate in our programs and opportunities. Find resources by fund raising and applying for funding opportunities. Organize learning, performance, and promotional events for accordionists.
Educational Outreach
Create opportunities for instruments, information, and coaching to populations interested in learning accordion skills.- Youth Populations
- College Populations
- Adult Populations
- Accordion & Music Educator
- Specific Cultural Populations
-- Ethnic populations
-- Immigrant populations
International Accordion Initiative
The accordion has a rich and varied history in Europe and around the world. The International Accordion Initiative (IAI) creates a liaison between the U.S. and other nations, drawing on the wealth of resources from other established accordion cultures, in order to build educational and performance opportunities in North America.By facilitating performances, demonstrations, workshops and master classes given by artists and teachers from abroad, the IAI will develop opportunities for accordionists in North America.
Accordion Access Program
NAAC will provide students, educators and programs access to accordions. To obtain the accordions needed, NAAC will work with collaborators to implement Instrument Drives.Collaboration on Instrument DrivesThe NAAC has identified the need to provide accordions both for instruction and for practice to students interested in learning how to play the accordion. To fulfill this need, the NAAC will locate potential collaborators in various geographic areas willing to assist in publicizing and jointly coordinating drives to collect used accordions from donors in the local community who have accordions they no longer play, and to evaluate those instruments for suitable condition for student use. Additionally, the NAAC will collaborate with accordion teachers and school music programs to loan or, as appropriate, to give the instruments to accordion students. With each drive, the NAAC will evaluate the process to better establish means to provide accordions to those wanting to learn how to play the instrument.
NAAC Recording Program
In an effort to promote accordion music and create performance opportunities for members, the NAAC proposes to provide a platform for compiling recordings of members music and to make these available through existing on-line music distribution sites. The initial platform will be a NAAC member Youtube channel.The Youtube channel will be an informal means of compiling members performances. Submissions to the channel will be curated and must feature performances of NAAC members. Performances may be either solo or ensemble pieces and all musical genres are encouraged. The only musical requirement is that the piece must feature a member playing the accordion. NAAC forums will provide opportunities for members to collaborate as well as explore new music, gear, and recording techniques.
Gabe Hall-RodriguesPresident and DirectorGabe Hall-Rodrigues is a Seattle based accordionist, pianist, vocalist, and composer. Gabe holds an undergraduate degree in Music Therapy and a Master’s Degree in Jazz Piano Performance from Arizona State University under the direction of Mike Kocour. He has performed with an array of legendary artist including tubist Sam Pilafian, accordionists; Frank Morroco and Stas Venglevski, the indie rock band Jared and the Mill, tubist Pat Sheridan with the Salt River Brass Band, and the Seattle Philharmonic. In 2019, he won 2nd place in the International Open category at the largest accordion competition in the world, The Trophee Mondial in Loule, Portugal. In 2017 Gabe became co-conductor of the Rose City Accordion Club Silver Falls Camp. He presents clinics, masterclasses and workshops at accordion events throughout the United States. Gabe is a Petosa and Harmonik artist.Gabe's most current projects are accordion duo Creosote and Seattle’s premier Brazilian forro band En Canto. Creosote is the dynamic accordion duo with renowned Seatte accordionist Jamie Maschler, together they create original and Brazilian classic music featuring inspired arrangements with a unique and endearing twist. They have performed at countless accordion events throughout the country, perform regularly in Seattle and recently were featured performers at the National Association of Music Merchants’ (NAMM) Museum of Making Music.In addition to performing, Gabe has over a decade of experience both as a private instructor and serving as musical director and instructor at Gateway Academy, a K-12 Arizona school for students on the autism spectrum. He currently teaches privately in Seattle as well as via skype and other video platforms to accordionist all over the country.gabehallrodrigues.com
Dallas ViettyFinancial OfficerAward-winning accordionist Dallas Vietty is one of the most in-demand accordionists performing jazz and swing in the United States today. Dallas’ unique style comes from his background in the American jazz tradition, as well as study and immersion in the European swing tradition of Django Reinhardt (Gypsy Jazz) and French accordionists.As band leader of two groups (Hot Bijouxx and Musette Project) Dallas remains very active on the East Coast concert and festival scene. His groups have performed at some of the top U.S. festivals including: TEDx Philly, Djangoary Festival. As a sideman his performances have taken him to legendary venues like: The Iridium NYC, BB King’s Time Square, Dizzy's Club at Lincoln Center, and the Philadelphia Kimmel Center.
Growing up in Southern California’s Mojave Desert, Dallas showed a proclivity for music at a young age. He began as a jazz pianist, starting private instruction at 12, and spent several summers at the famous Idyllwild Summer School for the Arts. At California State University Northridge, Dallas pursued Jazz Studies, and performed throughout the LA metro area, Hawaii, and Japan. But piano was soon superseded by a passion for accordion. Dallas moved to the East Coast and fortified his independent education at New Jersey’s Acme Accordion School, studying fundamental technique and Free Bass education.
Jamie MaschlerVice President“Jamie Maschler, knows the versatility of the accordion better than most. She has played the instrument since she was four and spent years perfecting and competing…. Talents like her seem to be increasingly valuable.“ -The AtlanticJamie is based in Seattle, WA where she studied accordion under three-time Latin Grammy Nominee, Jovino Santos Neto at Cornish College of the Arts. Her main projects are Seattle’s only Brazilian forró band- En Canto and Accordion duo- Creosote.Last year, the National Association of Music Merchants (NAMM) featured Jamie in their Museum of Making Music exhibit titled “Accordions: Expanding Voices in the USA”.
She recently accompanied the Seattle Symphony’s live scoring of Lord of the Rings and Tchaikovsky's Suite No.2 with the Seattle Philharmonic. In October 2019, Jamie was "Nellie Friedman" in Seattle Repertory Theater’s run of Paula Vogel’s Tony award winning play, Indecent.Jamie is a frequent guest performer and presenter of stylized Brazilian and Tango music at numerous festivals. She works for accordion manufacturer Petosa Accordions, where she is able to share her passion and actively participate in the reinvention and face of the traditional Instrument.Jamiemaschler.com
Karen LeeDirectorBoard member Karen Lee has been involved in music since the age of 4 when she insisted on piano lesson. At age 15 she began studying organ and soon was busy both as an accompanist (piano) and as an organist, an avocation she pursued until her mid-thirties. Then she switched careers from Director of Educational Media in the public schools, to land use trial lawyer. In that capacity, she led several ground-breaking cases in both state and federal court.With retirement on the horizon, Karen feared that the right side of her brain may have severely atrophied. She began musing about a different free reed instrument, the accordion. With a year of intermittent lessons, Karen joined an accordion orchestra.
After a period of very little progress on the instrument, she finally caught on that it takes more hard work than wishes to re-find lost skills. She began serious study of the accordion with the internationally acclaimed jazz and Hollywood studio accordionist, Frank Marocco, continuing her studies after his untimely passing with Ilmar Kuljus. And she also found a new avocation as a music copyist. She presently is the accordionist for the Shtetl Menschen Klezmer Band, and is a member of the North Hollywood Accordionaire’s Pops Orchestra.
For questions, inquiries, support, membership or any other matters please send an email to our official email address:
contact @ thenaac.org